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《诗大序》是儒家文艺思想的经典之作，自1841年第一个英语译本问世以来，英语世界对这一中国传统诗学经典的译介与研究不断丰富、深化。本文依据国家图书馆馆藏数据库、哈佛大学图书馆和亚马逊网站图书资源的搜索与统计数据，从中选取12个有代表性的译本进行深入研究。依据现有文献数据，英语世界对《诗大序》的译介与批评大致可以分为三个阶段：19世纪中后期，是传教士对《诗大序》进行神学阐释的阶段；20世纪，是西方学者运用各种理论对《诗大序》进行理论阐释的阶段；21世纪，《诗大序》的研究进入跨学科阐释阶段。英语世界对《诗大序》从忽略到发现再到重点阐释的过程，是中英文学和理论交汇与互鉴的写照，是中国文学和文论在世界文学场域中“折射”与“变异”的见证。
Abstract：The Great Preface is a classic work of Confucian literary and artistic thought. Since the first English translation was published in 1841, the translation and research on this classic of Chinese traditional poetics in the English-speaking world have constantly enriched and deepened. This study selects 12 representative translations for in-depth study based on the search and statistical data from the National Library of China's collection database, Harvard University Library, and Amazon's book resources. According to the existing data, the translation and criticism of the The Great Preface in the English-speaking world can be roughly divided into three stages: the mid-to-late 19 th century, which was the stage of missionaries' theological interpretation of The Great Preface; the 20 th century, which was the stage of Western scholars' theoretical interpretation using various theories; and the 21st century, which has entered an interdisciplinary interpretive stage. The process of the Englishspeaking world's transition from neglect to discovery and then to focused elucidation, is a portrayal of the intersection and mutual learning of Chinese and English literature and theory. It is also a testament to the “refraction”and“transformation ”of Chinese literature and literary theory within the field of world literature.
方泽林（2022）《诗与人格：传统中国的阅读、注解与诠释》，赵四方译，北京：商务印书馆。
李宇明（2011）什么力量在推动语言传播，《汉语国际传播研究》总第2辑，北京：商务印书馆。
刘若愚（2006）《中国文学理论》，杜国清译，南京：江苏教育出版社。
刘文昭（2023）中国早期文论的海外英译与阐释—以《诗大序》为中心，《首都师范大学学报》（社会科学版）第3期。
苏源熙（2011）《中国美学问题》，卞东波译，南京：江苏人民出版社。
唐纳德·A .吉布斯（1982）阿布拉姆斯艺术四要素与中国古代文论，张隆溪编、龚文庠译《比较文学译文集》，北京：北京大学出版社。
宇文所安（2003）《中国文论：英译与评论》，王柏华、陶庆梅译，上海：上海社会科学出版社。
张万民（2017）中国古代文论英译历程的反思，《暨南学报》（哲学社会科学版）第1期。
朱立元（2014）《当代西方文艺理论》，上海：华东师范大学出版社。
Chow Tse-tsung(1968) The Early History of the Chinese Word Shih(Poetry). Chow Tse-tsung(ed.), Wen-lin Studies in the Chinese Humanities, 151—210. Madison, Milwaukee and London:University of Wisconsin Press.
Donald A. Gibbs(1979) M. H. Abrams Four Artistic Co-Ordinates Applied to Literary Theory in Early China.Milan V. Dimi?y E. Kushner(ed.), Actes du VIIe Congrès de l’Association Internationale de Littérature Comparée/Proceedings of the VIIth Congress of the Internacional Comparative Literatura Association.
Faye Chunfang Fei(2002) Chinese Theories of Theater and Performance from Confucius to the Present. Ann Arbor:The University of Michigan Press.
Haun Saussy(1993) The Problem of a Chinese Aesthetic. Stanford:Stanford University Press.
James Legge(1960) The Chinese Classics, The She King, or The Book of Poetry. Hong Kong:Hong Kong University Press.
James Legge(1871) The Chinese Classics, The She King, or The Book of Poetry. Hong Kong:Hong Kong University Press.
James Liu J.Y(1975) Chinese Theories of Literature. Chicago and London:The University of Chicago Press.
Paul R. Goldin(2005) Early Discussions of Music and Literature. Victor H. Mair(ed.), Hawai’i Reader in Traditional Chinese Culture. Honolulu:University of Hawai’i Press.
Samuel Kidd(1841) China, or Illustrations of the Symbols, Philosophy, Antiquities, Customs, Superstitions,Laws, Government, Education, and Literature of the Chinese:Derived from Original Sources, and Accompanied with Drawings from Native Works. London:Taylor&Walton.
Stephen Owen(1992) Readings in Chinese Literary Thought. Cambridge. Massachusetts and London:Harvard University Press.
Steven Van. Zoeren(1991) Poetry and Personality:Reading, Exegesis, and Hermeneutics. Stanford:Stanford University Press.
Wong Siu-kit(1983) Early Chinese Literary Criticism. Hong Kong:Joint Publishing Company.
Yu Pauline(1987) The Reading of Imagery in the Chinese Poetic Tradition. Princeton:Princeton University Press.
(1)国家图书馆官网，2024年3月14日检索。
(2)哈佛大学图书馆官网，2024年3月14日检索。
(3)亚马逊网站，2024年3月14日检索。
(4)全译本：James Legge(1960)The Chinese Classics, The She King, or The Book of Poetry. Hong Kong:Hong Kong University Press, pp.34—37. Siu-kit Wong(1983)Early Chinese Literary Criticism. Hong Kong:Joint Publishing Company, pp.1—4. Steven Van Zoeren(1991)Poetry and Personality:Reading, Exegesis, and Hermeneutics. Stanford:Stanford University Press,pp.95—97.Stephen Owen(1992)Readings in Chinese Literary Thought.Cambridge.Massachusetts and London:Harvard University Press, pp.37—49. Haun Saussy(1993)The Problem of a Chinese Aesthetic.Stanford:Stanford University Press, pp.75—83。节译本：Samuel Kidd(1841)China, or Illustrations of the Symbols, Philosophy, Antiquities, Customs, Superstitions,Laws, Government, Education, and Literature of the Chinese:Derived from Original Sources, and Accompanied with Drawings from Native Works. London:Taylor&Walton, pp.354—356. Chow Tse-tsung(1968)“The Early History of the Chinese Word Shih(Poetry)”, Wen-lin Studies in the Chinese Humanities. Madison, Milwaukee and London:University of Wisconsin Press, p. 157 ;James J. Y. Liu(1975)Chinese Theories of Literature. Chicago and London:The University of Chicago Press, pp.119—120 ;Donald A. Gibbs(1979)“M.H. Abrams Four Artistic Co—Ordinates Applied to Literary Theory in Early China”, Actes du VIIe Congrès de l’Association Internationale de Littérature Comparée/Proceedings of the VIIth Congress of the Internacional Comparative Literatura Association, editado por Milan V. Dimi?y E. Kushner,Vol. 2. Pauline Yu(1987)The Reading of Imagery in the Chinese Poetic Tradition. Princeton:Princeton University Press,pp.51—52. Faye Chunfang Fei(2002)Chinese Theories of Theater and Performance from Confucius to the Present. Ann Arbor:The University of Michigan Press, p.22. Paul R. Goldin(2005)“Early Discussions of Music and Literature”,Hawai’i Reader in Traditional Chinese Culture. Honolulu:University of Hawai’i Press, pp.132—133。
(1)The Holy Bible, Genesis 1:7. https://www.o-bible.com/cgibin/ob.cgi?chapter=1&book=gen&version=hgb&versi on=kjv&version=bbe,2024年1月21日检索。
基本信息:
中图分类号:I046;H315.9
引用信息:
[1]李金,于冬云.《诗大序》在英语世界的译介与批评[J].汉语国际传播研究,2024(02):11-21.
2024-11-30
2024-11-30